The Music Trust works with energy, imagination and authority for music in Australia

Welcome to The Music Trust

The Music Trust was founded in October 2013. Its mission is stated in the banner. Key information can be found under ABOUT on the menu bar.

Check out the menu bar. MUSIC IN AUSTRALIA is a deep information source. EDUCATION is primarily about advocacy for school music and includes important research about its benefits. FREEDMAN is for the prestigious Freedman Music Fellowships. PROJECTS is a changing list of special activities. LOUDMOUTH takes you to the current edition of the Trust's monthly ezine.

Trust the music!

Jose Carbo’s CD, My Latin Heart

Watch Out for This!

What The Music Trust is doing

The Music Trust has assembled an Editorial Board to plan the strategies and operations of the Music in Australia Knowledge Base. A new structure for the information has been designed and shortly, technical work to achieve easier navigation will be completed.

In a new project, some 30 SWOT analyses of various sectors of the Australian musical world have been commissioned. These very interesting assessments can be a basis for new insights and developments to invent new opportunities and combat weaknesses and threats.

New SWOTS cover the contemporary music industry, classical music, the Australian musical, opera, school music education, professional and youth orchestras, music libraries, community music development, amateur chamber music activity, music publishing, local government and music, and studio music teaching. More will follow.

Hans Hoegh-Guldberg, our former editor, sadly passed on, had as his last project the formulation of a set of scenarios for the future of music in Australia and the world. Papers on the Knowledge Base take the reader through the process to its conclusions. Go to BROWSING > CATEGORIES > SCENARIOS FOR THE FUTURE.

New papers on the Knowledge Base are announced in the centre column of www.musicinaustralia.org.au.

Projects

AUSTRALIAN HONOURS FOR MUSIC PEOPLE.
The Advisory Council has agreed to cause nominations for Australian Honours. Not enough high level awards go to music people. TMT will not be able to announce nominations and probably it won’t publicise its part in achieving any awards. Nominations have been made twice a year beginning in 2014.

THE CLIMATE SONGS PROJECT
In April, this project was announced through Loudmouth. The intention is to engage famous contemporary music songwriters and performers to write and market songs that engage the public, corporations and governments in issues around climate change and, to be blunt, the survival of the species. Loudmouth will be the best place to keep up with the activities.

Freedman Music Fellowships

Rajiv Jayaweera at Freedman Jazz 2013.
Photo by Keith Saunders

The Freedman Classical Fellow for 2017 is pianist/composer Emma Grace Stephenson. Emma was selected by the judges, musicians Mike Nock, Phillip Johnston and Stu Hunter on the basis of her submitted recordings, project design for her use of the $20,000 prize and her performance in the finalists' play-off at the Freedman Jazz concert at The Studio of Sydney Opera House on October 30. Emma has just moved from Sydney to New York and will make a recording there, partnering with Australian and American vocalists for whom she has specially written songs. The other finalists were Ellen Kirkwood, who at the Sydney Opera House performed her own compositions with the Sirens (mostly female) big band, and trumpeter Nick Garbett, who performed with his co-led band The Vampires - a band that gives blood.
The Freedman Classical Fellow for 2017 is bassoonist Matthew Kneale from Melbourne. He was selected by judges Elaine Chia, CEO of City Recital Hall, Dr Stephen Mould, Senior Lecturer in Conducting and Opera Studies at Sydney Conservatorium, and Kirsten Williams, Associate Concertmaster of Sydney Symphony, at a concert hosted by ABC Classic FM on September 9.. Matthew's ambition is to be ambassador for the bassoon, commissioning new works, performing internationally and raising its profile as a solo instrument.

Thanks as always to funding from the Freedman Foundation, without which the Fellowships are not possible.

The winners’ lists since inception in 2001 read like a Who’s Who of younger jazz and classical musicians.

Freedman Music Fellowship information

Music in Australia Knowledge Base

The only knowledge base in the world that deals systematically with the music of an entire country. Facts in words and numbers about music in Australia – and discussions of key issues facing various areas of musical activity. See more.

Primary School Music Education

There is a lot of thought and research behind school music education advocacy.

ARGUMENT FOR SPECIALIST MUSIC TEACHERS. Primary school music education in many states is in crisis. Teachers are not educated to teach music and in the majority of schools in most states, there is not a classroom music program. After decades of neglect, The Music Trust believes that the only – and best – solution is the introduction into every classroom of a specialist music teacher. Read the reasoning here.
There is a new reassessment of the advocacy arguments. Look under EDUCATION > ADVOCACY ARGUMENTS.

RESEARCH SUMMARY. There is abundant research in music education showing that its benefits extend well beyond learning music skills to improvements in IQ, academic outcomes,confidence, empathy, social skills and more. Read a quick summary of these research outcomes here.

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Music Trust Alert!

Here now, the Loudmouth e-zine for FEBRUARY 2020:

THE GROWING EDGE.

Music & climate action / Musical instrument Bushfire Appeal / Regional arts here & o/s / 5 Music Rights / Contemporary music, musicals: 69% total box office / Situation of jazz; Aussie Real Book / Wesley-Smith’s remarkable life / Australian Honours for music people / MORE

IMPORTANT ARTICLES ON MUSIC EDUCATION 

Your child wants to quit? Fight back / PISA details. Where’s music? / Profit motive in education: gets F / Cognitive load theory born / Music returns to Saudi schools / Videos: MRI of throat singing. Kids LOVE marimbas / MORE

NEW ON THE MUSIC IN AUSTRALIA KNOWLEDGE BASE

The Knowledge Base is being redesigned. Access is as usual for now, but will change for the better shortly.

NEW IN SHORT STORIES

Taylor Swift empowers creators / African boom / Canada’s arts funding drive successes / Universal’s Asian pop label / Hungarian arts protests / BMG, arts manager / Vienna Opera’s first opera by woman / MUCH MORE

FREEDMAN FELLOWSHIPS

The report from drummer James McLean, Jazz Fellow 2016, is added. See this site, under the FREEDMAN tabm

In the February LOUDMOUTH. Highlight this URL then right click on www.musictrust.com.au/loudmouth .

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Music and Book Reviews

THE BEST MUSIC REVIEWS page in Australia. Written mainly by musicians.

LOUDMOUTH’S FEBRUARY REVIEWS

BOOKS

Acid for the Children, by Flea

Criticism, Performance and Need for Conversation. Alison Croggon

The Song Remains the Same: 800 Years of Love Songs, Laments and Lullabies. Andrew Ford/Anni Heino

Tell Me Why: the story of my life and music. Archie Roach.

MUSIC

CONTEMPORARY. The Dangerous Age. Kate Ceberano, Steve Kilbey, Sean Sennett.

CLASSICAL.  Trio through Time. The history of the piano trio from Mozart through Sculthorpe. Seraphim Trio – 5-CD set. / Songs without Words. Grigoryan Brothers, guitar duo.

CLASSICAL, NEW MUSIC. If that diamond ring turns brass. Anna McMichael, Tamara Anna Cislowska, video, digital / Letters from a Black Snake. Songs by George Palmer. Barry Ryan, Jeanell Carrigan / Lines Spun. Music by Jennifer Fowler. Lontano ensemble (London), incl. Lauren Easton /

EXPERIMENTAL. The Vanishing. Oren Ambarchi, Martin Ng, Ensemble Offspring.

JAZZ.  Where the Rest of the World Begins. Gian Slater & Hieronymus Ensemble  / Here Now Hear. Monash Art Ensemble

MULTICULTURAL. Tailwind Home. Equus, with Bukhu. Mongolian/Middle Eastern.

Latest Music & Book Reviews

Reach the archive of reviews and articles by clicking on the banners heading each section or via the menu bar:

http://musictrust.com.au/loudmouth/category/reviews/

Copyright The Music Trust © 2020