Welcome to The Music Trust
The Music Trust was founded in October 2013. Its mission is stated in the banner. Key information can be found under ABOUT on the menu bar.
Check out the menu bar. MUSIC IN AUSTRALIA is a deep information source. EDUCATION is primarily about advocacy for school music and includes important research about its benefits. FREEDMAN is for the prestigious Freedman Music Fellowships. LOUDMOUTH takes you to the current edition of the Trust's monthly ezine.
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What The Music Trust is doing
The Music Trust has redesigned its Music in Australia Knowledge Base. The information is presented in a new structure which enables readers to find all the articles pertaining to particular sets of activities in music in Australia – for instance, various spheres of music education, the relationship between music and current issues of social concern, performance in particular musical genres, the business of music, government interventions, Australian music in its international context. A new program of addition of articles begins in the second week of August.
The Music Trust has instigated and funded a composition competition for young people, to compose a song in support of climate action. The competition is being managed by Green Music Australia.
The Trust is also supported the Symphony for Life Foundation, which runs an ‘El Sistema’ style program for mostly young immigrant children in the Wentworthville area in Western Sydney. The program is free to the children. They attend two afternoons a week in normal times, are loaned instruments, given instrumental training and form into two small symphony orchestras of around 30 members each. During COVID, they are being taught online with weekly individual lessons.
The Music Trust is organising the Freedman Music Fellowships, now in their twentieth year. You can see the report in the centre column.
The Trust’s monthly online magazine, Loudmouth, has just published its 50th edition! See the contents for August summarised in the right hand column.
Freedman Music Fellowships
Reporting at the beginning of August 2020. Four finalists have been chosen for the Freedman Classical Fellowship 2020: violinist Grace Clifford, violinist Harry Ward, cellist James Morley and cellist Richard Narroway. This is one of the strongest fields ever for the Fellowship, now in its 20th year.
Normally the winner is chosen at a concert of finalists. That was scheduled to take place on August 1 in the Utzon Room at the Sydney Opera House. But social distancing rules closed the entire facility and all other concert venues. Various alternative scenarios have been adopted and given up. At this point we believe we have a strategy that will enable the winner to be chosen at the end of August. Watch this space, Loudmouth magazine and the Freedman Fellowship Facebook page.
The Freedman Jazz Fellowship is expected to be awarded in October. The sixteen nominees have sent in their applications and the judges are about to begin listening to the recordings and reading the project proposals. Since it is expected that it will not be possible to present a concert of finalists in October, the plan is to produce videos of each of the finalists, use the videos as part of the assessment process and then stream them in an online concert.
Thanks as always to funding from the Freedman Foundation, without which the Fellowships are not possible.
Music in Australia Knowledge Base
The only knowledge base in the world that deals systematically with the music of an entire country. Facts in words and numbers about music in Australia – and discussions of key issues facing various areas of musical activity.
Music in Australia has been entirely redesigned. Navigation is very much clearer; you can easily see everything to be found on the Knowledge Base, organised into categories where everything available on each topic is laid out clearly. A program to add another 50 articles will begin in the second week of August, 2020.
Highlight, right click, go to www.musicinaustralia.org.au
Primary School Music Education
There is a lot of thought and research behind school music education advocacy.
ARGUMENT FOR SPECIALIST MUSIC TEACHERS. Primary school music education in many states is in crisis. Teachers are not educated to teach music and in the majority of schools in most states, there is not a classroom music program. After decades of neglect, The Music Trust believes that the only – and best – solution is the introduction into every classroom of a specialist music teacher. Read the reasoning here.
There is a new reassessment of the advocacy arguments. Look under EDUCATION > ADVOCACY ARGUMENTS.
RESEARCH SUMMARY. There is abundant research in music education showing that its benefits extend well beyond learning music skills to improvements in IQ, academic outcomes,confidence, empathy, social skills and more. Read a quick summary of these research outcomes here.
Music Trust Alert!
Here now, the Loudmouth e-zine for NOVEMBER 2020. Here are some of the articles.
THE GROWING EDGE
INSIDE THE MUSICIAN. Colin Offord: Goading the Beast
Parts of life will be damaged forever – arts workers describe the pandemic’s impace on their mental health
Lie the care economy, arts and culture are an opportunity missed in the 2020-21 budget
INSIDE THE MUSICIAN. Cameron Undy: Ghost Frequency
Transitioning to the digital space
Leonard Slatkin: On diversity
This Musical World: Bare Threads
$53million for screen production but policy reforms could spell the end of the Australian feature film
Key data on Australia’s cultural and creative economy show crucial importance
Determining public perception of classical musicians’ livelihoods: A survey of concert-going audiences in South East Queensland, Australia
Protecting artistic freedom as a European value
IMPORTANT ARTICLES ON MUSIC EDUCATION
Study: new hope re aerosols from brass & wind
Good music education is not the recorder
Report launched on music education in Australia
Including and being included
Buying best home recording gear
Private school funding model is deeply flawed
Education in creativity essential
The 2020 Classical Fellowship has gone to cellist Richard Narroway, recently returned to Australian residence after 10 years in the USA.
The 2020 Jazz Fellowship has gone to bassist Helen Svoboda for great musicianship and a fantastically inventive project.
To open the November LOUDMOUTH, highlight this URL, right click, and follow your nose.
Music and Book Reviews
THE BEST MUSIC REVIEWS page in Australia. Written mainly by musicians.
LOUDMOUTH’S NOVEMBER 2020 REVIEWS
Kindred Cords. Australian Musical Families. Loretta Barnard
The Music Advantage How learning music helps your child’s brain and wellbeing. Dr Anita Collins
The Australian Album. Asmira Woodward-Page, violin, Scott Davie, piano. Early Australian composers
Corelli: Concerti Grossi Opus 6. Genesis Baroque. Soloists Sophie Gent, Lucinda Moon, violins, Natasha Kraemer, cello
In and Out of the Light. The Apartments, Peter Milton Walsh.
Alongside, Amongst, Against. Leah Blankendaal, improvisation, sound art
The Shore Sang of Ghosts. Steve Ashby, acoustic guitar, Vicki Hallett, clarinet/flute. Improvisations, electronics
Timeslips. Tangents. Adrian Lim Klumpes, keyboards, percussion, quartet. Contemporary, electronic, experimental
Maya. Freya Garbett leading 10-member ensemble including Jacques Emery, Jess Ciampa, Michael Avgenicos
- NEW MUSIC
Electric Preludes, by Brett Dean. Richard Tognetti, electric violin, Australian Chamber Orchestra
Reach the archive of reviews and articles by clicking on the banners heading each section or via the menu bar at this address: