Indian

Rasa Duende. Improvisations

Post by , November 1st, 2015

In the mid-sixties musicians from India, Pakistan and the West began exploring each other’s musical traditions, looking for common ground, playing concerts together and eventually recording together. The trailblazers were Yehudi Menuhin and Ravi Shankar. These two giants of their own musical heritages, having met in the fifties, developed a great mutual respect both personally… continue reading »


Kapture

Post by , June 1st, 2015

Kapture is a masterfully performed fusion of jazz and Indian classical musics with a sprinkling of other influences from across the globe. Sandy Evans (alto and tenor saxophone), Bobby Singh (tabla), Brett Hirst (double bass) and Toby Hall (drums and percussion) are joined on four of the twelve tracks by vocalist Sarangan Sriranganathan. Inspired by… continue reading »


Haveli

Post by , July 1st, 2014

An increasing number of Australian jazz musicians are seeking to move beyond the association with American jazz that was their inheritance, instead establishing a more distinctive local identity through collaborations with regional neighbours in the Asia-Pacific. The Australian Art Orchestra’s pioneering collaboration with Guru Kaaraikudi Mani’s Sruthi Laya Ensemble in 1996, and Simon Barker’s work… continue reading »


Dakshin Khun (Southern Man)

Post by , April 1st, 2014

This is one of the most evocative albums I’ve heard this year. The opening track, Altain Magdal evokes that area of Asia stretching from Nepal to China. It will be a challenging album for some: the vocals are Mongolian throat singing – a guttural, seemingly toneless sound, with a remarkable range. However, we hear a… continue reading »


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